Bengaluru’s 100 Hands is back, steered by their motto of ‘Better Together’

Accessories from 100 Hands’ 2024 edition
| Photo Credit: Special Arrangement

Year after year, the 100 Hands fair is eagerly anticipated by all those who have a penchant for one-of-a-kind, specially crafted curios, fabrics, home décor  and accessories.

Founded by sisters Sonia and Mala Dhawan, the Festival of Handmade also called 100 Hands by regular visitors, began in 2010 as a initiative to give artisans across the country a platform to become financially viable. According to Mala, their aim has been to foster “a sense of collective and a community of people whose livelihood depends on handmade.”

“It is also about learning from each other and developing symbiotic relationships within the collective, irrespective of 100 Hands’ involvement,” says Mala, adding, “The idea is for artisans to grow, create and support each other at a larger level.”

One of the hallmarks of this year’s edition is the revival of their Me2We concept which was introduced around 10 years ago. “Most craftsmen work in isolation. Our idea was to bring them together, because when you brainstorm, ideate and collaborate, it boosts your sense of creativity — both in terms of design as well as by looking at ways to create better. ‘Together We Create Better’ is the Me2We theme.”

Handpainted crochet lampshades from 100 Hands’ 2024 edition
| Photo Credit:
Special Arrangement

According to Mala, this can be achieved by integrating two different crafts to create a new product altogether — one that could be sold by both parties. She elaborates with an example, “There was a line of painted lampshades and another of crocheted flowers. Under Me2We ideation, we have integrated crochet flowers on to the lampshade creating a new offering that neither party would have been able to do on their own.’

These lampshades will be available at the festival this year. Some other examples of collaborative work include the use of West Bengal’s Gamcha and Assamese weaves to create ready-to-wear dresses, applique work on Kanjeevarams, adding smocking and crochet squares to make dresses for little girls, board games crafted out of Lambani embroidery with Channapatna dice and pegs, and Shibori tie-n-dye fabric with handpainted Gond work, among others.

“We are showcasing around 50 such collaborations this year. For such teamwork to be successful, one has to be able to break barriers of discipline, language and traditional thinking; one should get out of their comfort zone and meet the challenge of competitive work. Such thinking pushes boundaries,” says Mala.

A Shibori and Gond work top from 100 Hands’ 2024 edition
| Photo Credit:
Special Arrangement

While the festival is a commission-free program, the organisers believe in the power of positive validation. “We want people to understand the amount of effort that has gone into the creation of a product, so we encourage visitors to spend time talking to the artisans to understand their process.”

This edition of 100 Hands will be their largest show till date with over 200 artisans coming in. There will also be workshops on blue pottery painting, block printing, zine making and more, as well as a handloom fashion show on October 2, titled ‘Walk for Swadeshi’ helmed by stylist and choreographer Prasad Bidapa. “There will also be a demonstration on how to use the charaka. We not only want to make Gandhi Jayanthi more pertinent, but are also doing our bit to ensure Indian textiles stay relevant in this century,” says Mala.

100 Hands will be held at Jaymahal Palace from October 2-6, from 11am to 8pm. Entry fee ₹100. Workshop details on website and social media.